‘Sappho’ presents a captivating blend of ancient history and contemporary queer culture, drawing audiences into the world of the iconic poet from Lesbos. Described by director and writer Wendy Beckett as “an adult fairy tale”, the production’s playful storytelling sheds light on the significance of Sappho’s writings as the earliest known documentation of queer identity.
The juxtaposition of modern camp culture with ancient civilization is skilfully executed through vibrant costumes and set design. Emmanuel Akwafo’s portrayal as the narrator, adorned in heels, corsets, and bold makeup, immediately immerses the audience in this atmosphere. Set design elements such as fluted Grecian columns divided by tinsel curtains and glittering stage pieces evoke the essence of both eras, creating a visually stunning backdrop for the narrative.
The heart of the story revolves around a tender love affair between a young Sappho, portrayed by Georgie Fellows, and her muse Adore, played by Eleanor Kane, as Sappho finds herself pressured by her parents into a heterosexual marriage. Sappho’s parents fight to convince Sappho to marry into an upper-class family, in hope of sparking political change, using the respected family name to do so. Here the protagonist is forced into a dilemma, having to consider whether to prioritise her family’s wishes and the greater good of Lesbos, over her own happiness. Here we can appreciate the struggles of women of lower class, at the time, with limited opportunities to make change, and their most significant decisions limiting their freedom further. Despite Sappho’s clear talent and skill, being dubbed the ‘Tenth Muse’, it seems her gender still places her at a disadvantage to men. Lesbianism appears to be the ultimate form of protest to an evidently misogynistic society, with women choosing to deny their opportunity to climb society’s male-dominated hierarchical ladder, for their own pleasure.
The production tastefully captures the essence of the lesbian romance, with sexual tension building through brief encounters, gentle touches and sly glances. The acting style used is predominantly non-naturalistic and almost pantomime like. Maintaining the style of traditional ancient Greek theatre, the production incorporates a chorus that uses song and dance to advance the storyline. These frequent insertions, alongside references to themes such as political ideologies and the struggles of womanhood, catalyse a new perspective on Sappho’s role in history, though it detracts from offering fresh insights into these complex conversations.
‘Sappho’ serves as an engaging tribute to the ancient queer icon, whilst also preserving and celebrating her enduring legacy as a literary genius. It offers valuable insight into the origins of LGBTQ+ identity and highlights the queer community’s resilience spanning centuries, with each generation seeing new radical icons.
Featured image: Eleanor Kane and company, credit Mark Senior
For more information and tickets Sappho – Southwark Playhouse
Review by Teodora Wollny
Teodora is a recent A-level graduate, having studied Art History, Drama, Philosophy and English Literature. Being both a performer and an avid writer, she enjoys attending a range of entertainment, including theatre performances and art exhibitions. Whilst currently on a gap year, she intends on pursuing Visual Art and Film studies.
