• Dec 09,2024
  • In Review
  • By Abundant Art

Review: “A Festive Cauldron of Fun”: Simon Armitage’s adaptation of ‘Hansel and Gretel’ Wows at Shakespeare’s Globe – until 5 January

The Globe Theatre’s presentation of Hansel and Gretel casts a magical glow over the festive season with a burst of joyous energy. Written by Simon Armitage, this adaptation breathes new life into the classic Brothers Grimm fairy tale from 1812 with a comedic twist, brought to life by a talented ensemble.

The story follows a young Hansel and Gretel ( Ned Costello and Yasemin Özdemir) who are led into the forest  by their parents, a wood cutter and a bread maker (Harry Hepple and  Beverly Rudd),  attempting to save their children from a conflict back in their home village.  On the way, Hansel catches wind of their plan and surreptitiously places white pebble and bread crumbs  to trace their way back home, however, his plan fails. The story then  follows the two abandoned siblings, left to fend for themselves, who are allured by a tempting sweet and sugary  house. But even the house has its secrets, as Hansel  and Gretel come across a  “creepy old lady” (the evil witch, Beverly Rudd), who takes them under their control.

This new version contrasts from the original narrative in a way that sets in tune with a modern audience. In Armitage’s version we see war and conflict rather than poverty and hunger in the original 18th century family which leads to the abandonment of the children. In this representation, the parents prioritise their children’s safety, unlike the original version, where the parents’ original emotions were guided by hopelessness and desperation. The image Armitage attempts to portray is of a loving family, rather than a grim and melancholic one, shifting the focus from despair and ruthlessness  to selfless love  and hope.

Well choreographed and performed musical pieces such as ‘Usherette’s Song’,  ‘Lamp Light’ and ‘Panic Attack’ bring melodious and light hearted moments to the  audience. Despite the rains pouring into the circle at the Globe on a cold December evening, the audience was enveloped in the joyous warmth radiating from the performers.

Narrator Jenni Maitland delivers an engaging performance from start to finish,  introducing the characters with comedic flair and interspersing the show with humorous anecdotes.. Beverly Rudd’s versatility speaks loud and clear through her dual characters, as she convincingly plays both the mother and the wicked lady, seamlessly transitioning  between two contrasting roles. In one, she is an outgoing, firm, and caring mother, and in another, she is the grooving, cunning and sly, antagonist. Through both she manages to bring humour into the show.

Overall, this show is a spectacle in its own right: the tight and concise storyline by Simon Armitage perfectly blends with the precise and impactful direction by Nick Bagnall.  It is easy to follow for everyone and well performed by the entire cast. The witch’s cauldron brings an effervescent opening to the festive season in this family friendly adaptation at the Globe Theatre!

Review by Ayush Chatterjee

Featured Image: Beverley Rudd as Witch in Hansel and Gretel at Shakespeare’s Globe (c. Ellie Kurttz)


For tickets and information visit Hansel and Gretel 2024 | What’s On | Shakespeare’s Globe

Read our latest Review: Tara Clerkin Trio: A Sonic Journey Through Bristol’s Avant-Garde Soundscapes, at EartH Hackney on 16 November – Abundant Art

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